Are they out of their mind?

19. February, 2010

I while ago, I downloaded the demo for X-Men Origins: Wolverine. It’s a PS3 game and I like Wolverine, so I was really excited. Whoa, they really spent some time on the levels … lush forests … tree roots, plants … okay, I can’t leave the paths (in games, heroes can’t climb or crawl … see my post on Batman Arkham Asylum *sheesh*).

Anyway. I played a while. Hack’n’slay (you have to chop people to bits with Wolverine’s claws … so he has no brain, either … oh well). Then, there was that helicopter scene. You’re on a rope bridge or an edge or something, I forget. There is this helicopter with the machine guns, making your life (or rather the game character’s life) miserable. So you jump on it, slice the window, pull the pilot out and … chop his head to bits with the main rotor of the ‘copter …

What did you feel in that moment? Please comment below.

I felt: WTF?

In an instant, I found the game revolting. All my impressions about the nice graphics, all the artistic work was washed down with a wave of disgust. To my shame, I continued to play until he end and took out the last boss. Okay, there are special moves and such … but for some reason, I didn’t buy the game and I deleted the demo without hesitation. Later, I saw a game review in TV where they showed a lot of special moves, how to use spikes and your environment to impale your enemies and gore them in various ways. For some reason, they ran it in the afternoon, around 1500.

Frankly, are you out of your mind? I’m not a softy or against so called “killer games” but some time last year, a border was crossed for me. Wolverine. Wet. Bayonetta. Brain-dead games, meant for simple button mashing, asking for the reflexes of a 15-year old but with the graphics of a motion picture.

I’m not sure who pays the money to produce such games. I’m not sure who works on such games. I’m not sure which person at Sony gave their OK for the production or distribution of such games. I don’t care. I don’t care if you think it’s OK. I don’t care if any court think it’s OK.

I’m proud to say that I feel this is WRONG.

Maybe you should read up a bit on how the human brain works. For everyone else, just don’t buy such games. They are a waste of time and money. And while there is no proof that they are bad for your soul, they aren’t any good either. As I said: A waste.


inFAMOUS

5. January, 2010

A lot has been said about this game (official website, 9.2 on IGN). I’ve played the demo and I liked it but the handling was a bit overwhelming in the demo, so I didn’t buy it right away. Now, it’s out in the platinums series and I must admit, the game is better than the demo. The handling is pretty good except when you try to rain death and pain on your enemies from the corner of a building: The corner is in the way too often. While it’s smart of the enemies to clump in your dead angle, in the real world, I’d just extend my arm over the edge and deal some blind damage.

But the other things work well. Cole jumps well, clings to edges, pipes and cables as if he was Spiderman. A 100m sheer drop is met with a tumble and Cole is on his feet again. Walking electric cables is fun and it’s great fun when you learn to glide them. Especially since they charge you up so you can really dish out. When you get to protect a box with medicine, the best place is on the cables above the area where you hail wrath and worse on the mortals below.

With time, you’ll learn several ways to deal damage which, used in strategic ways, will make the game a piece of cake. Taking enemies down will get you positive points, killing them (especially when they are already down) gives you negative score. Helping people gives you positive score, hurting them reduces your score. Just as in real life, your score doesn’t stop at 0 but can go bad. Really bad. Bad as in people running away from your shadow, gathering in mobs and throwing stones at you. Or they can become your fans, hurl stones at your enemies when they attack you and ask to you spend the night with them (an offer which you can’t accept).

Just like in Black and White, you decide to become a superhero or a supervillain. If you go the good route, your powers will be more controlled. If you go evil, mass destruction is your toy.

On top of that, we have a nice, complex background story which keeps things together. The side missions aren’t too thrilling but it’s a lot of fun to jump off and on buildings, scale walls, sheds, cars, train tracks. The enemies don’t just stand there but try to take cover, they disperse when you jump them from above like an angry thunder cloud. There are various parties involved, each trying to sell their own version of the truth. It’s moving when a group of policemen salute you after helping to arrest a gang member who killed one of them. To gain control over the city, the gangs turned off the power and your vision becomes blurred when you have to go into such an area.

Recommendation: Buy.


R&C Future: A Crack In Time

16. November, 2009

Ah, I like those long game titles. Anyone remembering Leisure Suite Larry in the Land of the Lounge Lizards? I have a feeling that a title says something about a game. If they care about the title, they care about the game.

Anyway, it’s jump, run and shooting time. Shooting with anything you can imagine and sometimes with things that you couldn’t imagine before. There’s a burp gun, a rocket launcher called “Negotiator”, a robot sidekick called Mr. Zurkon (always complaining that it can’t shoot at the innocent). I like its remarks. “Mr. Zurkon doesn’t need no pesky nanotec to survive, Mr. Zurkon lives from fear.”

Game levels are as colorful and nice as ever. Especially the Great Clock looks awesome with it’s red and gold and reflections. Ratchet finally has some fur on his ears. The levels are also pretty short, there are tons of mini-games, you can go hunt for Zoni’s to upgrade your ship, or Gold Bolts or upgrades for your weapons. Old time fans of the series will find all the good stuff again, like weapons that get better as you use them, pixel precise jumping sequences, there is an arena, and funny comments by the ton. Game play is fluent. I wished more game companies would take care of my time like Insomniac does: While the game installs on the HD, you get to see a long into movie which sets the scene. Two thumbs up for that.

The new stuff is that you can actually fly around space a bit, shoot asteroids for fun (and some bolts), play the main story or idle in some side levels. There are levels for the die hard jump’n’run people and shooter levels. And when I say “die hard”, I mean it. I’m not that bad at R&C but I’ve had to use the skip option once. Some of Clank’s jump sequences in the Big Clock are insanely hard. I must’ve died a hundred times in there. The logic puzzles are usually more simple on the “jump” side but it takes some brainpower to run yourself four times through a level, timing the switching of buttons just right to get all your copied through. And in time. Luckily, you can skip a puzzle. 95% for that one. For 100%, there should have been a way to revisit a puzzle to try it again.

All in all, they kept the great stuff and added a couple of nice, new features. The individual levels are short but plenty, so you can save often or take a break, and won’t have to start all over again.

Recommendation: Buy.


Batman: Arkham Asylum (PS3)

24. August, 2009

Even for the many definitions of fun. For example, there is a new game “Batman: Arkham Asylum”. I was really hesitant to download the demo. And then, I was hesitant to install it. Why? Because the trailer gave me the impression “another super hero beat ’em up”.

Okay, the in game cut scenes look great. Clothes have texture and the outline of the characters doesn’t reveal the 17-poly mesh. During the demo, it quickly becomes evident that a lot of resources went into the combat scenes where Batman does move pretty smart. You select a general direction and the type of attack and the Bat will do some serious damage. It feels like you actually control someone who spent years training martial arts, not some stuffed puppet. Using the grappling hook works like charm, even without much aiming. It’s enough to be close one of the gargoyles and it’ll work like a charm. Well … gargoyles in the building? Anyway.

That changes when you start walking around the compound. Here, the stuffed puppet is back. You can run which makes things better but the walk cycle looks really unbelievable. Did you know that Batman can’t jump? Maybe it’s because of the heavy belt? Or the muscles are all part of the suit’s armor? No climbing either. If you don’t have something where your grappling hook can attach to, you can’t even climb on a chair.

But what I was most afraid of: “The world’s greatest detective.” Remember? After taking the first round of inmates down, I almost gave up on the game. Only it does get better. There is something called “detective mode” which highlights interesting features around you (like enemies, things you can use your grappling hook on, etc). So after the short scene with Victor, the game turns into something that resembles Metal Gear Solid. Not bad. While you can try to take down everyone with a gun, you probably shouldn’t. Just as in reality, when you beat up one out of five people, four will start shooting you in the back.

There is still hope.